a camera pointed at us: joe on peak signal 2 noise
November 14, 2014 at 9:35 pm | Posted in new music, no audience underground | Leave a commentTags: belied gunaiko, bill orcutt, crank sturgeon, dylan nyoukis, electronica, fritz welch, harappian night recordings, human heads, humbolt ventures, improv, joe murray, joincey, jointhee, jon collin, jooklo duo, julian bradley, junko, luke poot, marvo men, new music, no audience underground, noise, papal bull, paul steere, peak signal 2 noise, ps2n, roman nose, sharon gal, sheffield live community television, stuckometer, sweat tongue, television, the family elan, the piss superstition, trans/human, turk geko, vimeo, vocal improvisation, yol
Peak Signal 2 Noise (TV show, Sheffield Live Community TV and Vimeo)
[Editor’s note: amused by the impressionistic ‘off the TV’ snaps that Joe sometimes tweets I encouraged him to use the same technique in illustrating this article. Thus what you are seeing has more to do with the workings of Joe’s phone camera (and fevered bonce) than the clear, sharp, properly lit and framed images you can expect from this excellent television programme. OK, over to Joe…]
It’s seems to be a truism in broadcasting that music TV has to suck really, really bad.
Cast your mind back to the mashed potato blandness of The White Room, the jokey yoof-arse of The Tube and the god-awful sweaty slobbering from Jools Holland (which is apparently still on).
What should be so simple, folk playing music with a camera aimed at them, turns into an excuse for zany camera angles, ill-thought out concepts and paedophile presenters. Ugh. It’s grim. I rest my case m’lud. [Editor’s note: hey, SnubTV had its moments!]
Thankfully Peak Signal 2 Noise is different fishy kettle. There’s no presenter to foul things up, no false stage antics or miming fools. It’s just a camera in face of the no-audience underground.
Cut up like a mix tape, the show moves swiftly between a whole buncha beards in a whole bunch of situations (live show footage, specially recorded pieces, installation performances) keeping the energy up and creating spaces to dream. Although edits are hard some interruptions blur the edges: a cheap kaleidoscope, raw fennel seeds bouncing on a speaker, frozen wasps, Yodel/Honkey and the Bubble Wrap man. On the seven episodes broadcast already you can expect to see…
· Jooklo Duo – Tender solo sax squall like free-jazz insects. Drums clatter in fur mittens. A sound so wonderfully clear and fresh it’s like a clear mountain stream running over polished cobbles.
· Human Heads – A real Dr Who vibe. That’s not saying this is Radiophonic; more like Ben & Hannah are playing parts of a broken Tardis for kicks.
· Humbolt Ventures– Glorious Sellotape jam. Rubbing and stroking are the order of the day with thin vibrations. Bullroarers in pt 2 induce coma.
· Bill Orcutt – Winged Eel finger-licking, blues shalom with naked foot.
· Luke Poot – No one does shame quite like Poot. Performance, the pink end of noise, a burst orange ball is honked like a rubber sax, lights pulled out flies, plastic toast. Lead us Luke!
· Dylan Nyoukis – Multiple Vines flicker like cat’s eyes –the hottest tip yet from the dark monk.
· Papal Bull – Maplin shoplifters curse the day tape was invented. Slow torture of the C30.
· The Family Elan – Off-kilter yarbles from Transylvania (or something). A proper band!
· Sweat Tongue – No Wave roots with new (blue) boots. Treble cranked high like it should.
· Harappian Night Recordings – Those familiar stretched ferric sounds clash off Bali bonce with wide eyes.
· Roman Nose – Layers and layers of Cardiff chalk blown up (Roman) nose, hopping from frame to frame capturing the mauve kinetic holla. PLUS some bagpipe animation creep hidden elsewhere!
· Marvo Men – Free gong-poetry on a dusty floor in a freezing space. Every opportunity taken to push things beyond ‘here’ and into ‘there’ with head-folding results. A brave and true duo.
· Fritz Welch – Mental crenulations and high metallic wavering; clikerty fingerings and squeak in two glorious parts
· Stuckometer – Free Jizz overdrive for the ‘fuh’ generation from these boy legends.
· Junko – “Atttttahhhh-atttttaaahh. Ktchhttaaaaa. Tch-aaaaaahhhhh.”
· Sharon Gal – Granite-hard birdvoice dreamtime. Geysers scored for hot-ash hiss.
· Dylan Nyoukis/Luke Poot – This time together. In conversation via khat-o-phone. Explosive sinus and remorseful tutting like all the world’s Geography teachers at once.
· Turk Geko – Found footage, frowned frottage, grown pottage, hewn montage.
· YOL – Without a face he chants (gggrrrrrrrr) leaving few traces but ghastly thoughts.
· Belied Gunaiko – Silver cloud noise. The sound of pilots dozing off…
· The Piss Superstition – Transparent methods. A ‘how to’ guide if you will. But ingestion of foul liquids may, just may, play a part in the visceral rusty bliss-tronics.
· Jon Collin – Naked guitar (finger then slide) of ultimate sorrow. Salty harmonics from slack, bitter strings cry. Two-fer-one.
· Trans/Human – Mystery Machine hi-jinks full of fuzz, fizz and fixx. Taking pale ‘scree’ to the people like hotdogs.
· Joincey Jointhee – Word poems to a frosted tit. Superb fractured sentences folded together with abrupt and sudden breath. Curse the rain that stops the f-l-o-w.
· Crank Sturgeon – Electric Portraiture. Oh my Crank!
OK friends…I tried me hardest with those descriptions (for some reason this is so much harder than talking about records) so it’s probably best just to tune in really. If you are Sheffield based you can get this on the proper telly (9.00pm/Saturday/Channel 159). Jokers living in other locales can check out Vimeo for an identical web version and an archive of everything broadcast so far building up to an encyclopaedia of No Audience shenanigans. The series plans to run for 10 episodes which should take us almost up to Christmas. But, be warned, the busy bees behind the venture are looking to bust out in all different directions in 2015.
Stop reading. Start watching.
posset on tour (and on cd-r)
September 18, 2011 at 6:15 pm | Posted in live music, new music, no audience underground | Leave a commentTags: bells hill, bill orcutt, improv, jessica rylan, new music, no audience underground, noise, paul hession, posset, rhys chatham
Posset – A Diamond of Radiant Colour (Bells Hill, BH007)
‘Ow do folks. Just a little note alerting you to the fact that blog fave and RFM’s North East correspondent Joe Posset will soon be treading the boards in a city possibly near you. On the 30th September he features as part of Leek Pudding, venue t.b.c. but in the Toon, on the 8th he joins the legendary Rhys Chatham at the Star & Shadow Cinema, also up Newcastle way, and nightly from 11th to 15th October he is proper touring with the venerable Bill Orcutt (of Harry Pussy) and the wonderful Jessica Rylan. I see one of the London dates will feature the unassuming legend that is Paul Hession – proclaimed by me, drunkenly but accurately, as the best drummer in the country. More details via Joe’s myspace page and very comprehensive and useful information (including youtube clips) on the London gigs via the cafe OTO site. Should prove unmissable.
(Although not for me of course. Due to my gargantuan, immoral laziness I will only attend shows performed in the Scout hut at the end of my road. Even then I am hamstrung if it is the servant’s night off as I often find myself wedged into my leather armchair and need the assistance of old Carstairs to extricate myself. Once the cook had to be called to help too and, by using the coal shovel as a makeshift giant shoehorn, I was freed with a sound not unlike a champagne cork popping. Ahh…, Ashtray Navigations were fantastic that night. But I digress…)
Allow me to also mention the CD-r above – the latest Posset recordings to arrive here at RFMHQ. I will keep this brief for two reasons: a) it is already ‘sold out at source’, meaning Scott of Bells Hill has already parted with all his copies (might still be worth asking Joe) and b) it has already been dealt with comprehensively in the lengthy, intelligent and entertaining review by Peter Taylor over on Foxy Digitalis.
Suffice to say this is another belting set of improv destructo-skiffle and dictaphoned amusic, with a portion perhaps being a little darker and meatier than other recent Posset releases. Mind you, that perception could just have been caused by my mood. The last time I end-to-ended this I had grumpy ears and was listening to it in an attempt to cheer myself up following a gruelling day in the office. Did it work? Yes, it worked.
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