radiofreemidwich is *ahem* ‘hiring’December 1, 2016 at 12:30 pm | Posted in blog info, musings | Leave a comment
Tags: situations vacant
It causes me great sadness to announce that Sof Cooper is no longer on the ‘staff’ here at RFM. Alas, she has decided to turn her awesomeness in other directions. We wish her well and her contribution has been celebrated here with a gigantic bonfire of sweet incense and unheard tapes. RFM insiders know that her letter of resignation has been on my exquisitely carved marble desk for some time but I had been IN DENIAL about its contents. However, once I came to terms with the news (by throwing a Kylo-Ren-style office-trashing fit) the thought occurred to me: Ah, could this tragedy prove an opportunity?
The fact is I cannot keep up. Nowhere near. As I type, the review pile contains scores of items, some received as far back as last Spring, and much as I’d like to do nothing but lounge about on a fluffy cloud of downloads I’m afraid ‘real life’ has had other ideas. I admit it is an enviable problem to have – damn all this amazing free stuff, the clamour for our opinion! – and running RFM is largely a joyous experience, but I am left glum by the thought that WE COULD DO MORE.
This is not to cast aspersions on the efforts of the remaining RFM squad, of course. Without them I suspect the whole enterprise would have folded in on itself, like the haunted house at the end of Poltergeist, sometime in the Summer. Joe continues to produce the best writing on music to be found anywhere – the gonzo rapidity of his prose slyly hiding a wit as sharp as shards of broken mirror and a breakdancing phenomenologist’s understanding of what music feels like. Chrissie hand-carves her occasional posts, carefully detailing her appreciation with an even-handed patience, a refreshing openness and an infectious enthusiasm. Luke and marlo have recently been standing by their beds forlornly waiting on orders from their editor whilst I just grin sheepishly and mutter.
You can see where this is going can’t you? Anyone fancy stepping up to help? Here’s the job spec, number of positions available still to be decided:
Firstly only those identifying as women are invited to apply. Odd music, and reporting on odd music, remains male-dominated and I want to do a little to redress that balance. Secondly, and the only other essential qualification, is I’d like you to be able to convey your enthusiasm for this music with an entertaining writing style.
Regarding that writing, the ideal candidate would be able to commit to, say, at least half a dozen articles a year (hopefully more) with at least half of those taking stuff from the review pile as subject matter (the rest can be at your discretion). Posts generally run 750-1500 words for reviews or 2000-4000 words for ‘think pieces’ or festival write-ups. Whilst RFM’s main concern is recorded music I’d be open to suggestions – anyone up for conducting and transcribing interviews, for example? I’m not interested in bad reviews – this blog is almost entirely positive as a matter of editorial policy – nor does a dry or academic approach much appeal. We ain’t big on footnotes.
I guess being part of the ‘no-audience underground’ scene (see link below) – punter, participant, whatever – and/or D.I.Y. culture would be handy but isn’t strictly necessary (at least to begin with – gabba, gabba, we accept you!). Anyone who could help with proofreading and/or formatting submissions for WordPress would likely have their hand bitten off.
Unfortunately, there is no payment available. RFM attracts about 30,000 visits a year so your writing will be read by an appreciative and knowledgeable crowd but the budget is less-than-zero. I offer no subscriptions, invite no donations and actually pay WordPress a premium so as to not carry adverts (punk as fuck, me). There may be the odd freebie review copy posted your way (or download codes emailed if you are outside the UK) but that is it. We’re all for love.
So, if this appeals and you aren’t already a reader please acquaint yourself with the blog’s style and content – as well as dipping into a handful of reviews I’d advise getting some biscuits and settling down with my last big piece on the ‘no-audience underground’ as that really explains what we are all about. If you are still interested after that then feel free to contact me via email or Twitter and we’ll talk turkey.
A reshuffle of the ‘about us’ page, a (painfully polite) cull of the review pile and a tightening of the review submission guidelines will follow in due course but I wanted to get this, most exciting, aspect of the coming changes up and running first…