new on fencing flatworm recordings! ‘one year; two days.’ by the award winning namke communicationsNovember 16, 2016 at 9:03 pm | Posted in new music, no audience underground | Leave a comment
Tags: fencing flatworm recordings, john tuffen, namke communications, zellaby awards
namke communications – one year; two days. (CD-r, fencing flatworm recordings, edition of 40 or download)
Seems a very, very long time since January 8th, eh readers? A mere two days before the death of Bowie officially kicked off the most mind-boggling year in recent history I posted the 2015 Zellaby Awards – our annual shindig celebrating the finest of the no-audience underground. In the introduction I commented that, aside from the rise of Corbyn, 2015 was largely without hope and that…
I wish you all good luck in navigating the coming End Times.
I meant it as a joke, of course, but I find myself becoming more frantically sincere in that wish as the days go by. Seriously, everything from the most personal and intimate (e.g. a spot on my nose became a cancer scare and has now been removed leaving a tiny crater) to the immense and geopolitical (e.g. President <makes dry boke noises> Trump <groans, mops brow>) seems primed to do us harm.
What can we do? Organize? I guess (my political views are heartfelt and hard left but only semi-coherent – better thinkers than me will need to carry the torch on that one). Love each other? Of course. Try not to forget what’s important? For sure. Carry on getting shit done? Definitely. So, in that spirit please allow me to present a treat, a product of 2016 to actually gladden the heart:
one year; two days. by namke communications, released by fencing flatworm recordings.
By way of context, let me take you back to the innocent, halcyon days of the first week in January and remind you who was staggering down the red carpet clutching the most important golden-eyed statuette. Apologies for quoting myself:
Finally then, the winner of the Zellaby Award for album of the year presented by Radio Free Midwich is, in an unusually literal sense, the album of the year: 365/2015 by namke communications. From a piece I wrote in March:
…old-friend-of-RFM John Tuffen, in a project which recalls the conceptual bloodymindedness of Bill Drummond (who has raised ‘seeing it through’ to the level of art form), is recording a track every day throughout the whole of 2015 and adding them to the album [on Bandcamp] as the calendar marches on … each track is freshly produced on the day in question and, as might be expected, vary enormously in style, execution and instrumentation – there is guitar improv, electronica in various hues and field recording amongst other genres welcome ’round here…
This one I have no qualms about dipping into, in fact I would recommend constructing your own dipping strategies. As the year progresses you could build an album from the birthdays of your family, or never forget an anniversary again with a self-constructed namke communications love-bundle. Won a tenner on the lottery? Create your own three track EP with the numbers and paypal John a couple of quid. Or perhaps a five CD boxset called ‘Thursday Afternoon’, in homage to Brian Eno, containing everything released on that day of the week? Or condense the occult magic with a set comprising every 23rd track? Ah, the fun to be had. Or you could just listen to it on a daily basis until it becomes a welcome part of your routine…
I was at least half-joking at the time but engaging with 365/2015 has proved a unique way of experiencing an album. During the worst of my illness [Editor’s note: I had a lengthy period of depression in 2015], as I spent nights trawling Twitter unable to sleep, it did become a valuable part of my daily routine. Literally a light in the darkness – Bandcamp page shining on the tablet as I lay in bed – John’s project, existing due to nothing but his crazy drive to create (the whole thing, 40+ hours, available as a ‘name your price’ download!), truly helped me through. A clear and worthy winner.
John’s prize, should he wish to take me up on it, is for namke communications to have the one and only release on the otherwise dormant fencing flatworm recordings some time in 2016. A surprise baby sister, perhaps, for his lovely available from namke communications released by me back in the day and now (I think) a teenager itself.
Heh, heh – the very idea still makes me shake my head in delighted disbelief. Well, fortunately, after a suitable period of recuperation, John did wish to take me up on it and here, in mid-November, we have it. Better late than never, eh?
one year; two days. – named, presumably, in homage to its award winning predecessor and the contrasting time it took to record – is a four track, 35 minute album of detailed, emotive and ambitious computer music. Tracks are titled solely with a file protocol based on date of composition – like a digital Taming Power – the rest is for the listener to piece together. Perhaps you are now expecting clicks, pops and tooth-loosening scree but thankfully those genre tropes are largely absent, replaced instead with expansive, meteorological drones and disorientating pulsing. Repeat listens are richly rewarded. The beautiful cover photo, also by John, is bang on – we look up from swiping our black mirrors to find that it is now night and the car park is empty, a scene that is clean, modern and urban but also charged and primal. It’s an image that illustrates the music perfectly. I’ll say no more for now – it’s there for you to discover.
The physical version of this release is presented on artisan, bespoke CD-rs – the true underground format – lovingly hand-bought on the internet then exquisitely hand-burned on the RFM HQ laptop, hand-numbered with an authentically shonky permanent marker and hand-packaged in robust, plastic wallets made from 100% recycled dinosaur. Colour covers were printed illicitly and hand-cut on the RFM HQ kitchen table for maximum punkosity. The edition is of a mere 40 copies – 20 for sale via fencing flatworm, John will have the rest – and prices are so low that I think I’ve just sorted out your Christmas present worries: £2.50 including postage in the UK, £3 for Europe and £3.50 for the rest of the world. This amazing bargain is available to order via the fencing flatworm Bandcamp site where you can also find a glistening, pay-what-you-want download if you’d prefer. We don’t mind how you consume this album just as long as you do. I hope you dig it.
Take care, people.
With love, Rob H x