my bloody ventolin: joe murray on star turbine, robert ridley-shackleton, sindre bjergaOctober 13, 2016 at 11:25 am | Posted in new music, no audience underground | Leave a comment
Tags: chocolate monk, claus poulsen, frozen light, gold soundz, joe murray, robert ridley-shackleton, shade barka martins, sindre bjerga, star turbine
Star Turbine – Nothing Should Move Unless You Want It To (CD, Frozen Light, edition of 300 or download)
Robert Ridley-Shackleton – Tupperwave (CD-r, Chocolate Monk, choc.338, edition of 42)
Sindre Bjerga – Japan 2013 Tour Documentary – A Film By Shade Barka Martins (DVD-r, Goldsoundz, GS#130, edition of 26)
Star Turbine – Nothing Should Move Unless You Want It To
This canny duo of Claus Poulsen & Sindre Bjerga have now been together for about 6 years – that’s longer than The Beatles live-performing career. And in that time they’ve moved from loveable moptops (read: hessian cloaked druids) to Abbey Road sophisticates pulling sounds from a cosmic-scurf fortress and mixing them cleverly with improvised crackles and hopped-up speech interventions.
On this disc they reach deep into the hard drive and present, in the main, truncated live performances; the bacon in the bap, hurling you straight into their fully articulate sound cavern.
It starts as you’d imagine – mice invest dollars in sonic-grip technology, aiming their blunderbuss straight at you for the duration of ‘An/Auf’. It feels sort of sticky and thick and on the verge of panic. I feel much more comfortable if I keep my breath even and calm.
Grey-rubber ripping shakes a tail on ‘Hearing Voices’ among some seriously screwed vocals and inter-planet hum. The rushing of tape grot adds a complimentary momentum pulling your ears in different directions; microscopic insects rearrange your nerve endings.
Some sort of My Bloody Ventolin wash creeps through the recording, ‘Looking For the Centre’ a heady rush of airbrakes and panpipes bleeding into a, into a bloated walrus gas pouch?
[worried reviewer checks sleeve notes in panic]
Don’t worry. It’s my bad. No sea mammals were harmed in the creating of this particular jam… it’s just the ‘Fractal Zoom’ piece unpicking my learning centres and scrambling early illustrated encyclopaedia memories. Gosh! The tape work on this is black as tar and twice as difficult to remove.
The cherry on the pie belongs to the wonderfully titled ‘Ape Escape’ that sounds as if IRCAM released its answerphone message recorded after a rather noggy Christmas party. OR… photocopying your arse and sending it to Dick Raaijmakers. You my dear listener will have to work that one out yourselves.
Closer ‘Alef 0’ sees Claus take a sharp mallet to Sindre’s basic recordings and goof them up good and proper. How he’s managed to turn this herring into a Tangerine Dream I’ll never know but it’s heavy as bad news (never BAD NEWS) and rich as freshly ploughed soil.
Despite this recent Euro-nonsense (AKA Brex-shit) the Star Turbine will be back in your town soon. Pull your canoe out the mud and set a course for their cleansing murk.
Robert Ridley-Shackleton – Tupperwave
Fifty minutes of RR-S starts with a respectful tweak on NWA’s collective nips and then gets exponentially odder by the minute. The trademarked pocket jazz sound is still in effect but over a longer duration this is embedded and augmented with child-like interactions, tangent-shearing thoughts and bakerlite ring-tones of the mind.
Question. But just what is Robert Ridley-Shackleton? An effortless creature of spoken wordisms, a stream of consciousness half-thought jester, a purple pretender, a dry-rattler extreme? Or perhaps he is the new plastic messiah?
As an excitable, hyperbolic fanzine-style reviewer it’s almost too much to take in. Do I describe the actual sounds coming out my headphones? Oh… I do, do I? Here goes…
…scratch, hiss, crackle, sniff, sex-rap-brit-funk, casio-donk, sniff, meandering monologues, scratch, clonk, harsh noise sock, house keys, humming & mugging…
…but what a thousand tapes with similar components don’t do is pose a really important question. With a comedian’s nicotine-fingered timing RR-S unravels what it means to entertain and what it means to be entertained?
There’s a long tradition of artists pushing and pressing at the limits of acceptable entertainment. And I don’t mean that violent or sexist bullshit, that wreckers of civilisation cul-de-sac, but the more fundamental – how far can I go unwrapping to find the very essence of my own personal music? Family favourites like Gwilly Edmondez, Hugh Metcalfe and the Shadow Ring have been there and chipped out their own answers in the No Audience Mount Rushmore but our very own RR-S has a bag of chisels too and he is already tappy-yappy-tapping incoherent pictograms at the base of the cliff.
The whiffle and flounce feel like a diary of instant conversation created in the moments between a late tea and bed. The Illuminati and God get equal footing to Mr Poo and Mrs Wee as mistakes, pre-thoughts and apologies are sent direct to you in a monologue of seemingly endless imagination.
Oh yeah… there is much rattling and shaking with the texture of Quaver’s eggs.
One of the ‘traditional’ musical pieces, a 5 minute keyboard funk jam, ends with the sound of brittle punnets being crushed (it’s sound art – listen!). The other (a 3 minute keyboard funk jam) launches into a discogs/format paranoid rant backed with static/analogue card-noise war and a riff on taking apart the post-creative process re: publishing.
I’m happy with myself I think
RR-S concludes. As well you might be – the most singular record of the year.
Sindre Bjerga – Japan 2013 Tour Documentary – A Film By Shade Barka Martins
A what? A DVD-R? That most neglected of formats gets a swift brush up and plane ticket to Japan for this super-charming documentary.
See! Sindre (and brother Jorn) explore downtown Japan and creep through the narrow streets looking for the off-off-map venues played on our Norwegian friend’s first visit to the home of the mighty Budokan.
Marvel! As Sindre sets up his trusty yellow Dictaphones, echo tube and tape mess in cramped bars, tiny arts spaces and a beautiful elephant temple; blowing hot steam through his cobbled-electronics, bristly mouth parts and drone-boxes.
Watch!! Various ex-pat goofs and clean-cut Japanese fellows captured doing their own damn thing: solo keyboard hums, circular clarinet, chromed electronics, theatrical goon impressions and electric- fan-versus-acoustic-guitar living sculptures.
Shade’s camera is a friendly traveling companion; always present with a pack of tissues; clear, bright and attentive but never in-your-face. The downtime of a tour is captured with a practiced eye as attractive, vibrant shows are interspersed with sleepy train rides, airport snoozes and the gentle panic of being lost in an unfamiliar city.
Proving the No-Audience Underground, although sparse, is strategically placed on a global scale the gig-goers lap up Sindre’s approach to tape manipulation in a very physical way; lobbing projectiles at him during an instruction piece and (incredibly politely and gently) scything miniature cymbals across the room to topple Bjerga’s constructions of WalkMan/Dictaphone/steel resonator.
But of course this wouldn’t be a trip to Japan without a session in a silk robe and Sindre rocks his white-patterned shortie like a motherfucker!
Like all Gold Soundz releases this is super-limited so I’d make a bee-line for this quick to feast those peepers.