screaming party above invisible city: the swift by midwich reissued

May 13, 2015 at 9:34 am | Posted in midwich, new music, no audience underground | Leave a comment
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Midwich – The Swift (tape, Invisible City Records, ICR11, edition of 40 or download)

swift coverswift tape

RFM is delighted to announce that The Swift by Midwich has been reissued by the essential Invisible City Records and is available as a beautifully packaged tape or convenient download.

The album was originally released as one 65 minute track on CD-r, presented in another beautifully designed cover in a tiny edition of 15, by highly-regarded American noise label Altar of Waste.  Here is the very flattering blurb written by AoW head-honcho Cory Strand:

Gorgeous and tidal cascade of gentle droning sounds that become something akin to a crushing roar from the between the cracks in the sky and the broken limbs of trees, Midwich’s epic construction “The Swift” is a piece that flirts with both natural ambience and HNW severity without fulling giving over to either.  Created from field recordings of swarms of swifts procured by the artist, the sounds here recall both the bleak pastoral harmony of the English landscape and the encroaching rumbles of black clouds swarming the sky.  Similar in tone to the work of Richard Skelton with a goodly dose of Daniel Menche’s and Clive Henry’s approaches to manipulated field recordings, “The Swift” is an amazing composition that demonstrates both the awesome power of the natural world around us and the possibilities inherent within electronic manipulation.  An incredibly creative work that blurs whatever genre lines you’d care to draw.

Altar Of Waste is very pleased to release this latest missive from one of the UK’s finest practitioners of underground drone.  Succumb to the swarm and feel the tense beating of thousands of wings buzzing around you.  Breathe in the awe.

My colleagues here at RFM dug it too.  Joe said:

The Swift is a single hour long piece in three distinct movements.

Movement one: It starts like the soundtrack to ‘Evolution…The Movie’ as grey gloop is replaced by lazy cellular dividing and static, internal egg-memories. Things settle on Mothra’s mating ritual – long drawn-out breaths gradually moving out of synch as feathery lungs push huge volumes of air through Sperm Whale baleen.

Movement two: A rhythmic ticking and the clatter of ghostly forklift trucks start to creep in.  The Swifts chirrup, skittering in the air warmed by the horny Mothra.  Listeners note: this section accompanies the flock of stately wind turbines near Chesterfield spectacularly.

Movement three: The final five minutes heave like the tides, slowly encroaching on an abandoned city; washing through the deserted streets, clearing the human junk for a stronger, fitter civilisation floating slowly through the brine.

No question this is Rob’s most immersive and ambitious piece of Midwichery yet.  You gotta have it!

..and Luke made it his album of the year:

Utterly sublime floating tones, get your cranky toddler off to sleep in minutes, limited to 15 copies only?!  Madness.

Teacher’s pet, eh?  The lad will go far.  Positive comment written by those outside the RFM ‘office’ can also be found but, you may be surprised to learn, there are limits even to my vanity.  You get the picture: it was well received and I am proud of it.

Despite the eye-watering cost of shipping copies from the USA, the edition sold out sharpish.  I might have been happy to leave it there but I had one or two enquiries about reissuing it and, after falling in love with North East noise label Invisible City Records, I just couldn’t resist reaching out to label boss Craig Johnson and planting a seed.  Given the catalogue already amassed it seemed like the perfect home for The Swift and, to my delight and relief, Craig agreed.  The track has been carefully halved to accommodate the change in format and the new artwork captures the atmosphere of the piece exactly.  It is a high quality item and, in my entirely trustworthy, un-conflicted, un-self-interested opinion, an essential purchase.

—ooOoo—

Finally, a word to those trusting souls who swapped hard cash for a copy of the original edition.  If you are among that elite please forgive me for diluting the experience with a reissue and remind me of the fact when the Aqua Dentata CD-r on fencing flatworm drops later in the year.  I’ll sort you out proper.  If you are mad enough to buy both editions then as well as the Aqua Dentata CD-r I’ll see if I can secure you a freebie of the next midwich project which, in stark contrast, is likely to run 18 minutes and contain 12 tracks.  Punk rock, eh?  More news as it breaks, but for now…

—ooOoo—

Invisible City Records

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