fencing flatworm recordings presents the piss superstition

July 28, 2014 at 10:59 am | Posted in fencing flatworm, new music, no audience underground | Leave a comment
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the piss superstition – getting nothing to appear on the developed film (CD-r with booklet, fencing flatworm recordings, edition of 50 or download)tps front covertps back covertps booklet front and back

tps inserts

The most hotly awaited date in the no-audience underground calendar is, of course, the publication of radiofreemidwich’s annual Zellaby Awards. I know the anticipation ruins Christmas for a lot of you, and that spats on the red carpet have ended up in the tabloids, but our duty to promote the finest available music trumps all concerns about public order.

Once the puddles of champagne vomit have been mopped away, all that remains is an ancient tradition that can be dated back as far as 2013. The winner of the yellow jersey for Album of the Year is, *ahem*, ‘rewarded’ with a release on my otherwise dormant microlabel fencing flatworm recordings. This time the annual reactivation was postponed for a few months to allow for the project to mature but the wait has proved justified: the result is perfect.

getting nothing to appear on the developed film by the piss superstition, the duo of Julian Bradley and Paul Steere, comprises three tracks lasting a total of 30 minutes and is presented on CD-r (and/or download) in a cover designed by Julian. It is accompanied by an eight page, A7 pamphlet containing details of the release and some oblique poetry also by Julian. These pamphlets were hand-typed on one of those ol’ fashioned typewriters (see photo above) with hand-written track listings and edition numbers by guess who? Yep: Julian. That’s the nice thing about working with self-sufficient artists with confidence in their own vision – all I need do is the administration. The physical edition is strictly limited to the customary 50 copies, a download is available on a pay-what-you-like basis.

The music is, as ever with these guys: mystifying, brilliant, peerless. I’m not going to say any more because I want you to come to it fresh and untainted by my own interpretation. However, for those of you new to this band here’s a little of what I have said about them in the past:

…heavy, juddering electrics describe arcane symbols as they spiral through the iterations of this garbled instruction set. Something truly weird is being revealed. The serrated buzzing suggests saw mill equipment escaping its moorings and consuming itself as one bladed machine vibrates into the path of another. But again, there is nothing random about this movement. All is being conducted by an unfamiliar intelligence for some unknowable purpose…

…or to put it more succinctly:

…this music is detuned – not discordant as such, just eroded, smeared, until its original content is lost or, at best, obliquely hinted at. That is what makes it so endlessly fascinating…

Intriguing, eh? I’m very, very proud to have been involved in making this available. Now don’t be sleeping – this is sure to sell out double-quick.

—ooOoo—

the piss superstition on fencing flatworm recordings on Bandcamp

the piss superstition’s own site

The 2013 Zellaby Awards

 

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